Jay Pharaoh Truly, Truly, Really Wants To Meet Taylor Swift’s Squad At The AMAs

Jay Pharoah is co-hosting the American Music Awards tonight (November 20) with Gigi Hadid, and he’s really thrilled about hanging out with the young model due to the fact he’s dying to meet her squad. Or, specifically, Taylor Swift’s.

Pharaoh’s seeking forward to running the show, certain, but he revealed to Billboard that he’s looking forward to receiving to know the crew Hadid rolls with a tiny far better. He and Gigi became quick pals, but he’s a walking heart-eyed emoji when the topic of her girls comes up.

“I can not wait to meet her pals,” he told Billboard. “I know she got close friends. She taken, she with Zayn, I can’t mess with her, but I can talk to her friends. We’ve already established I’m currently in the friendzone, so it’s cool for me. I know where I stand, it’s all good, I’m just like, ‘Hey, can you introduce me to the fellow Taylor Swift gang?’ That is what I want: The squad. I want to see the squad.”

He’s also a Harmonizer, apparently, as he’s looking forward to watching Fifth Harmony perform (“Those are my homies, those are the home girls”) almost as significantly as he is about joining the “Undesirable Blood” crew.

Catch the AMAs on ABC on November 20, and hey! You could just watch Pharoah’s dream come accurate.


&#039It&#039s Really Lonely&#039: Kathleen Turner Stars As Joan Didion In &#039Magical Considering&#039

Kathleen Turner stars as Joan Didion in Arena Stage’s production of The Year of Magical Pondering. C. Stanley Photography/Arena Stage hide caption

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C. Stanley Photography/Arena Stage

“Do you know how several words there are in 80 minutes?” asks actress Kathleen Turner. “My god!”

Turner is referring to The Year of Magical Pondering, a play based on Joan Didion’s 2005 memoir. The book was written whilst Didion’s daughter was in a deep coma, and right after her husband of 40 years suffered a fatal heart attack. In her role as Didion, Turner is the only one particular on stage. “It really is quite lonely,” she says.

Rehearsing before opening evening at Washington, D.C.’s Arena Stage, Turner strides across the bare rehearsal hall — confident, assured, pushing back her long, thick hair from time to time. (It is a sexy gesture — and a reminder of her breakthrough function in the torrid 1981 film Physique Heat.)

And that voice! It’s been described as “Cabernet-soaked” which is quite a departure from Didion’s, which is much smaller sized, softer and slightly nasal. (You can hear an extended 2005 interview with Didion in the hyperlink audio link below.)

At age 81, Didion is bobby-pin thin. “She’s a tiny small factor, proper?” says Turner. “And I am something but tiny, small or frail.”

But if audiences come searching for Didion, they will not uncover her in this production.

“If men and women want just to have Joan Didion then they are going to have to forgive me,” Turner says. “Simply because that is not what I am undertaking.”

This isn’t about imitating Didion. This is about portraying a lady who is dealing with grief, and grasping for life. Facing unimaginable loss, she’s robust, vulnerable and fierce as she struggles to banish self-pity.

The Year of Magical Thinking

“I went type of crazy. I imply, I think everybody does,” Didion says.

Didion’s “magical thinking” had to do with the concept that her husband would somehow return. She gives away his shirts, pants and socks, but somehow, when it comes to throwing away his footwear, she can’t bring herself to do it.

“Following a moment’s believed, she realizes the purpose she can’t do it is since he’ll want them when he comes back,” Turner says.

At 62, Turner has lived by means of losses that support her connect to this play.

“I truly began on this exploration final year when my mother died,” she says. “We were really close, and it was a excellent death, as it goes, you know. But I miss her very much and it does leave this, this absence that it really is difficult to grasp.”

Magical pondering is “if” pondering, she says. “There is all this great pretense, but it’s not undesirable pretense. It really is wishful, hopeful — but nevertheless entirely misleading.”

What do you do to get via the worst items that happen to you? Inside two years, Didion lost her husband and their daughter. The play pays specific interest to the daughter. It tends to make you ask: How can we shield the ones we really like?

Turner has met the author at a variety of events over the years but she hasn’t discussed the drama with Didion or re-study the book on which it really is based.

“I never want to,” Turner says. “You know, a great script, every thing I need is in it — is in the script. I do not want to know as well a lot — I do not want to know too significantly outdoors the script.”

In Didion’s story, Turner has located what she wants.

Arts &amp Life : NPR

&#039The Nix&#039 Is A Vicious, Sprawling Satire With A Really Human Heart

The Nix

Following ten pages of Nathan Hill’s debut novel, The Nix, I flipped to the dust jacket. I wanted to see what the author looked like since I was pondering to myself, Jesus, this guy is gonna be famous. I wanna see what he looks like.

At 50 pages in I smiled when my train was delayed — a few further minutes to read about Samuel Andresen-Anderson, the assistant English professor and gone-nowhere writer who’d failed to live up to a tiny bit of early promise. At about one hundred pages, Samuel is in 6th grade — lonely, panicky, a crier at the least little point — and I know I am going to miss something like a affordable bedtime. At 200, it is stories of Samuel’s mother that keeps me turning pages: A teenager in 1968, driven, tightly wound. It is the sketched background of the lady who will abandon Samuel at 11 years old and wreck him in all the million methods that such a issue will wreck a delicate boy the lady who will float back into his life years later on cable television — briefly notorious for throwing a handful of rocks at a conservative republican presidential candidate in a Chicago park.

I fall in adore as well swiftly and too effortlessly. Especially with books. I am a sucker for anybody with a typewriter and a hot hand with the language. Inform me a story and I am your ideal pal, your best ear, for as extended as you can sustain it. The issue? So handful of can truly sustain it. My sluttish history with books is littered with these that I loved and then abandoned when the going got rough — novels dog-eared and loose in the bindings up to web page 150 or so, then dropped the minute the passion cooled.

The Nix is 620 pages extended. My final dog-ear is on page 613. It is nothing crucial. Just a funny story told by one particular character to another about the Northern Lights and the burden of expectation. It is beautiful in precisely the exact same way that a thousand of Hill’s other paragraphs are lovely — these looping, run-on, wildly digressive pages which, somehow, in their absolute refusal to cling collectively and act like a book, make the best book for our distracted age.

Hill’s novel is the story of Samuel. Of the boy who became him and the man that he is in 2011, in an Occupy Wall Street America, exactly where he is obsessed with an on the internet videogame known as World Of Elfscape and failing at fairly much everything else. But when his vanished mother all of a sudden reappears on every single Tv screen in America — this forgotten ’60s hippie radical now emerging as a viral sensation with a handful of gravel and no good explanation — he is offered a likelihood to write a book about her. A hatchet-job in which he, the abandoned son, is contractually obligated to savage his own mother in lurid, inform-all fashion.

It’s a job he requires, of course. Simply because he’s furious. And desperate. And haunted by this lady who left him and his father one day and never ever came back. He desires answers. This book, he thinks, may possibly be a way to get them.

But haunted is the operative word here. Simply because The Nix is about a lot of factors — about politics and on the web gaming, about the tenuous friendships of adult men and the 1968 Democratic National Convention. It is a vicious, black-hearted and beautiful satire of youth and middle-age, feminine hygiene products, frozen foods and social media. But a lot more than anything, it is a treatise on the methods that the previous molds us and breaks us and never ever lets us go. How it haunts us all.

The book’s namesake, the Nix itself — in Hill’s telling of it — is a Norwegian residence spirit. A ghost that finds a individual, comes to them in a moment and follows them for life. It is representative of that one instant when life slips sideways and by no means recovers. A numerous-faced ghost, equally comfortable being the broken friend that young Samuel couldn’t save, the girl he loved beyond all explanation, the mother who left him, the profession that escaped him. It is a best organizing motif for a book about the tiny blunders that become a life’s great tragedies, and secrets held as well close and for as well lengthy.

It broke my heart, this book. Time after time. It made me laugh just as typically. I loved it on the first web page as powerfully as I did on the last, and I believe I was right, appropriate from the begin. Because Nathan Hill?

He’s gonna be well-known. This is just the begin.

Jason Sheehan is an ex-chef, a former restaurant critic and the present meals editor of Philadelphia magazine. But when no one is hunting, he spends his time writing books about spaceships, aliens, giant robots and ray guns. Tales From the Radiation Age is his newest book.

Arts &amp Life : NPR

In &#039Carol,&#039 two Women Leap Into An Unlikely Really like Affair



Rooney Mara and Cate Blanchett (right) begin a love affair after meeting in a department store in Carol.

Rooney Mara and Cate Blanchett (proper) commence a adore affair soon after meeting in a division store in Carol. Weinstein Co. hide caption

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Director Todd Haynes believes adore can blossom in the most improbable situations. Take his new movie, Carol. The film tells the story of an affair amongst the title character, a married 1950s socialite (played by Cate Blanchett), and Therese, an aspiring young photographer (played by Rooney Mara) who is functioning in the toy section of a New York City department retailer. They meet even though Carol is buying a Christmas present for her daughter.

Haynes tells Fresh Air’s Terry Gross that the connection the girls make in the shop is a “curious leap” that requires them each “out of their worlds.”

“I think there is anything so lovely about that becoming the way really like usually starts — in the most irrational, inexplicable sort of situations where you place your self out there and you hold going, ‘What am I undertaking? Why am I here?’ ” Haynes says. “But you preserve going back. Each girls do it.”

Phyllis Nagy adapted the screenplay for Carol from the Patricia Highsmith novel The Value of Salt. In her early 20s, Nagy met and befriended Highsmith, a lesbian writer who spent significantly of her adult life in Europe. Nagy says the story is extremely forward thinking, specially contemplating it was originally published in 1952.

“As far as I’m aware, it was the initial relatively mainstream lesbian novel to be published that integrated not only a relatively content ending, but it did not include the death of 1 of its lesbian heroines, or 1 of them going to an insane asylum or nunnery,” Nagy says.

Nagy notes that Highsmith initially published The Value of Salt below a pseudonym, perhaps due to the fact the novel was so private in nature. “It was difficult for her to take ownership of it as a writer for numerous years,” Nagy says. “I was never ever certain if that meant she just did not like it, or if she was so personally attached to the novel that she could not afford psychically, or psychologically, to claim ownership of it till the late ’80s.”

Interview Highlights

On Therese and Carol

Nagy: Therese Belivet … is at a stage in her life, early 20s, where she is searching for the keys to her future. She’s a bit reticent she’s immensely curious, a bit like a sponge, and responds to everything with an alarming honesty — much like Pat Highsmith herself, whom I knew. So Therese is her alter ego.

Carol Aird is older, married … and she is a melancholy creature. She is not a content-go-lucky socialite. The situations of her life do not sit properly with her, or comfortably.

Patricia Highsmith initially published her novel The Price of Salt under the pseudonym &quotClaire Morgan.&quot

Patricia Highsmith initially published her novel The Value of Salt below the pseudonym “Claire Morgan.” Anonymous/AP hide caption

toggle caption Anonymous/AP

On the components of Highsmith’s novel that Nagy most wanted to maintain in the screen adaptation

Nagy: Two issues. A single was the radical way in which Patricia Highsmith addressed the sexuality of the protagonists in the novel as organic, as breathing — no certain believed given to what sexuality means to these women — but also an insistence on ignoring, much more or significantly less, the naysayers, which was one more aspect of the novel that was profoundly radical. The second part of the factors that I feel makes the novel actually resonate even today is Highsmith’s specific view of motherhood and what tends to make a excellent mother.

On how The Cost of Salt was received compared to Highsmith’s other novels

Nagy: I think that Highsmith was very surprised by the effect that The Cost of Salt had on publication. And even in the years, four or five years, following its publication, she would get the most wonderful letters from individuals — of course, they had been addressed to [her pseudonym,] Claire Morgan — talking about how the book had touched them profoundly, changed their lives. She wasn’t utilised to that. Surely no 1 was going to say that [her 1950 book] Strangers on a Train changed their lives in really that way, or even [her 1955 book] The Talented Mr. Ripley.

On what Nagy learned from Highsmith about getting a lesbian in the ’50s

Nagy: I feel what I learned from Pat about getting gay in the ’50s, and from pals of hers that she introduced me to, it was a window on a really specific subset of lesbians. Pat herself, I always like to say, was like the studio boss of lesbians in that she was appropriate there chasing women about couches and throwing them down onto beds. … I thought at first that she was probably just pumping up her own reputation as a lesbian stud, but, in reality, her peers — the girls that she chased, numerous of whom truly did remain friendly with her — confirmed those stories. And these females had been all vaguely of the Carol Aird set.

So I felt as if I knew specifically who Carol Aird was. … I consider the married girls suited Patricia Highsmith, who famously did not like to reside with men and women or have that kind of attachment that most affordable folks soon after a time anticipate. … With married girls, that was hardly ever attainable. So they have been, I’d say, the Euro-[equivalent] of wealthy, suburban, mostly married and secretive ladies who most likely, in 1952, are on prototypes of antidepressants and drank a lot and smoked a lot, like Highsmith herself.

On Highsmith trying to date men at a single point

Director Todd Haynes works with actress Cate Blanchett on the set of Carol.

Director Todd Haynes functions with actress Cate Blanchett on the set of Carol. Weinstein Co. hide caption

toggle caption Weinstein Co.

Nagy: The unwholesome truth about Pat is she was a lesbian who did not quite a lot get pleasure from becoming about other ladies. So the attempt to dabble with a single man seriously, and probably a few other folks along the way, was to just see if she could be into guys in that way, since she so significantly much more preferred their company. Pat would’ve been a excellent member of [Mad Men’s agency] Sterling-Cooper … and genuinely, I feel, that was the formative psychological trait … that she actually did not like women. She liked to have sex with them and she liked them to go home and shut up, but she much preferred the business of males.

On regardless of whether Haynes had reservations about getting a man directing a film about lesbians

Haynes: No, I did not. Or at least, what I felt was this was a tremendous, gorgeous chance for me to discover this story as a gay man and as somebody who has been in really like and who’s been in Therese’s shoes. … I felt like I had that frequent and universal and poignant knowledge in my personal history and my personal memory and that is what’s so unsentimentally and beautifully described in the novel to commence with. … And I have to say, so several of my dearest, closest buddies in the globe are gay females and this, in numerous ways, was sort of like: “This one’s for all these [girls] who’ve meant so much in my life.”

Arts &amp Life : NPR

Christina Milian Really Believed She May well Marry Lil Wayne

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Christina Milian may possibly not be dating Lil Wayne any longer, but their relationship’s nevertheless an important element of her “Turned Up” reality show.

In Tuesday’s episode, Milian says she wished for a Lil Weezy proposal.

“I got a phone contact the other day, somebody asking if we had been engaged,” she mentioned in a promo clip released by E! “I’m like, ’I wish that was the case.’ And then I got a phone call the exact same day asking if we broke up.”

Embedded from www.eonline.com.

On last week’s episode, Milian acknowledged that Weezy cheated on her. Despite that, Christina — who has a Tunechi tattoo — calls Weezy a “good guy” in this clip just before explaining their troubles.

“We’re driving each other crazy proper now,” she stated. “It’s like he’s way as well far away for us to be attempting to like fix something and it’s like and it is so… it is such a really massive deal, it’s the worst it is ever gotten just before.”

Whilst the two may well not be dating any longer, they lately shot the music video for their “Do It” collaboration. So, this is not the final we’ve seen of these two artists together — even if it isn’t always romantic.