Opportunity the Rapper, Brixton Academy, London — assessment

Hip-hop has reached peak ego. Kanye West’s onstage meltdowns during his US tour last week mark the tipping point, boos ringing out as he declared his assistance for Donald Trump amid rambling speeches, with one show curtailed right after 3 songs.

On the evening he cancelled a concert in Los Angeles, a prelude to the cancellation of the entire tour, a younger act from West’s property city of Chicago pointed a way forward. Opportunity the Rapper, 23, may possibly revere Kanye as a mentor (the pair have spoken of making an album with each other) but he does not share the older man’s rampant narcissism. The thousands chanting along to every word of his verses in a sold-out Brixton Academy underlined the shift in emphasis.

Opportunity, real name Chancellor Bennett, was backed by drummer Greg Landfair Jr, trumpeter Nico Segal and keyboardist Peter Cottontale the 4 contact themselves the Social Experiment. In contrast to the concentrate on the individual star at most rap gigs, right here the efficiency had an organic, collaborative good quality.

Cottontale’s organ licks and Segal’s trumpet solos supplied a mellow, jazzy backdrop for lyrics that went from addressing Chicago’s gun violence (“Angels”) to jokey nonsense rhymes (“Brain Cells”). Landfair Jr’s drumming and laptop-generated beats triggered by Cottontale came to the fore in livelier tracks such as “All Night” or “Juke Jam”, beefed up tonight from sultry R&ampB to party tune.

Despite a gruff edge to his voice, Chance’s rapping flowed easily, varying in volume with the swells and ebbs of his bandmates’ perform. An anti-Trump speech — his father is a Chicago Democrat who once worked for Barack Obama — ended with him claiming music as essential sustenance in black US culture. The sentiment was produced literal by the gospel influences in his own songs, a strain of religiosity neatly worked into the secular rap setting.

“Sunday Candy” was a warm, soulful tribute to household churchgoing. “Finish Line/Drown” had the sampled backing voices of a gospel choir, while the final quantity, “Blessings”, located him entering testifying mode with arms raised, chanting about being transported to the promised land. Post-peak-ego rap is about summoning a greater force, not becoming it.


Section: Arts