Funny Girl, Menier Chocolate Factory, London — ‘Wonderful, but . . .’

Sheridan Smith, centre, in 'Funny Girl'. Photo: Marc Brenner©Marc Brenner

Sheridan Smith, centre, in ‘Funny Girl’. Photo: Marc Brenner

Sheridan Smith is already a British national treasure at the age of 34. A organic comedian on stage and tv and an outstanding musical actress, she has also won an Olivier award for her performance in Terence Rattigan’s Flare Path . She would seem a organic match for the function of Fanny Brice in this revival of the 1964 Jule Styne/Bob Merrill musical about the star of the Ziegfeld Follies and her relationship with gambler Nick Arnstein. But Smith, in Michael Mayer’s production at the Menier Chocolate Factory, somehow doesn’t get there.

It might be the inherent Jewishness of subject and remedy alike: Smith offers us pert when what is necessary is brash. It requires a specific sort of defiant Brooklyn sardonicism to get away with a lyric in a initial world war propaganda quantity like: “I’m by means of and by way of red, white and bluish/I speak this way due to the fact I’m . . . British.” The non-rhyme might be faux-coy, but the obvious “real” rhyme is wholly unapologetic. Similarly, impassioned argument scenes and numbers such as “Don’t Rain on my Parade” need to be belted out, not basically in fidelity to Barbra Streisand, who originated the part on each stage and screen, but since that’s what the material demands. Smith only begins to unleash her complete power on the final couple of bars of “Parade” and its reprise.


IN Theatre &amp Dance

The performers may possibly be reining in due to the fact of the intimate size of the Menier, just before unmuzzling themselves on the show’s transfer to the West Finish next year (which had been announced even ahead of this initial run began, promoting out inside a day). Likewise, it at times feels as if we are right here seeing only the bottom half of Michael Pavelka’s set style.

The show (original functioning title My Man, following one particular of Brice’s signature numbers) has a dual focus: it is about each Brice and Arnstein. It also whitewashes their history together: we see Brice sharing what is in effect her initial kiss with him, when in reality she was already divorced by then, and he is portrayed as a risky wheeler-dealer rather than an outright conman.

Darius Campbell (formerly Danesh) is marvellous at adorning a stage, but he nonetheless can not really act. As Arnstein, his voice is smooth as chocolate, but it is commercial chocolate that most likely wouldn’t meet the EU needs to carry the name. As for Smith, she is by no means much less than wonderful, but this time she’s not very the correct sort of wonderful.

To March five,

Copyright The Financial Times Limited 2015. You might share using our article tools.
Please do not reduce articles from and redistribute by e mail or post to the web.

Section: Arts

Leave a Reply

Your email address will not be published. Required fields are marked *